The Birth of a Thesis: Nice to meet you, Janet

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Somehow the fall semester has flown by and I’m halfway through my proseminar. It’s been rather interesting and, at times, unnerving. What was all fun and games at first gave me a bit of fright in the beginning of November.

I spent the first two of months of the course familiarizing myself with 19th century exploration and a satire set in the 1990s, thinking it’d be the book I would choose for my topic until I realized the project would be too vast for a BA and I had to abandon it. After that I drifted aimlessly for a while and had to set up a meeting with my teacher to talk about what I wanted to do. Apparently my three to five hazy ideas called for some action and I have to agree. I suppose my problem was having too much on my plate from the very beginning. Lesson learned: getting a little lost on this journey of discovery is not the end of the world. Accepting that I may not always be fully in control of everything hasn’t been easy.

So on the morning of the day when I was to have my one-on-one with my teacher, I grasped at the clearest, most reasonable topic in my head and settled with it. It’s subject to change its focus somewhat, but I’ve settled with it. I’ll be getting to grips with the Scottish Janet Schaw and her Journal in my attempt to analyze her letters cum travelogue to see what kind of overtones this text from the 1770s contains. After writing two research proposals, the picture is becoming clearer to me. By the end of March, I should have a 20-page draft ready.

The course itself has provided interesting insight into the genre of travel writing and its theories. The overview of the history of travel and writing about traveling has certainly piqued my interest. The other students’ topics are varied which will make for a diverse spring semester. It’s a shame there isn’t more time to get to know as much as possible about the numerous fascinating sources. I have a very good collection of intriguing titles if one day I find myself wondering about what to read next, just for fun.

But for now Christmas brings me a much needed break and I won’t be touching my project for a while. The other day I was typing the name “Jane Austen” and instead wrote “Janet Austen”. Ms. Schaw is taking over my brain and spelling. I expect her to show up in my dreams accusing me of who knows what. So yes, I need to cut myself some slack and stuff my face with gingerbread cookies because in January I will create a rather important Word file (and a few dozen pack-ups).

Curiosity and Uncertainty on Election Night

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More than anything it was curiosity that drew me to the Old Student Building on October 19.  I wasn’t invited to the event, but everyone was welcome.  I arrived at the building slightly after 9 o’clock.  The windows had mysterious purple lighting which immediately suggested it wasn’t just any ordinary weekday night.

Earlier that evening the voting in the Student Union’s (HYY) Representative Council Elections had ended and when I arrived at the party, the counting of the votes was well on its way.  The current standings of the vote were projected onto a screen and two hosts informed the crowd of the results at regular intervals.  Tables were arranged at the edges of the hall leaving space for people to mingle.

A ripple of excitement spread through the crowd every time one of the two hosts spoke, neither of which I recognized.  A whoop here and there.  People standing in small groups, greeting their friends and rivals as they walked by.  A glass of bubbly wine passing from someone to another.  It was clear most (if not all) of the people there were either candidates or otherwise engaged in the election proceedings.

Even though I was somewhat interested in the election (or more interested than average), I felt I was looking from the outside to the inside of student politics even while I am not a total outsider.  After all I did vote and familiarized myself with the opinions of some of the candidates. Looking around, I wasn’t sure what the party reminded me of at first, but then it hit me: it was like a glimpse into parliamentary election coverage on TV.  I wondered how many of the people present would be attending those parties some day in the future.  Should I go and shake some hands to make a good impression? Just in case? It felt strange to think I was probably in the presence of some of the country’s future politicians.  Or maybe I’m getting an overly official, distant impression.  I’m not sure how I feel about the presence of political parties within HYY either.

I left the party after I’d had enough of the acoustics of the place and, walking to the bus stop, I pondered whether I’d become more or less tempted to try to understand the workings of the Student Union or student politics.  I didn’t find an answer then and some weeks later as I write this, I still don’t know.  Despite my indecisiveness, it was a good idea to go see the climax of weeks of campaigning because it made me ask a lot of questions from myself and others.  Mostly if others had seen the election night in a similar way and at least one candidate had found it slightly odd as well. I found myself talking about what I’d seen.

I don’t mean to make the whole thing sound completely alien as I’m sure it’s not.  It’s more than possible that if I would make an effort to get to know how exactly HYY and the Representative Council works, it’d become demystified quickly.  But I think I prefer observing from the outside.

The Birth of a Thesis: So I’m Really Doing This?

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After my Swedish lecture, I rush to the 6th floor of Metsätalo to my next class.  It’s hardly just another course among many this fall.  It’s the one I’ve been dreading for almost two years, ever since I understood what it was and how much work it was going to be. I’ve watched older students stress over their papers and then celebrate when the finished work is a warm pile of papers fresh out of the printer.  Some students are brave enough to take up the challenge during their second year, even as early as the fall, but I believe third year’s the charm.

The course outline paper says Proseminar: Travel literature.  Fall 2011 + Spring 2012. Two lists for the basic requirements, one for each semester.

The main requirement of the course is to say clever things for 20 pages and hand them in for grading.  Along the way I’m supposed to write other papers to give the teacher an idea of how well I am on my way.  Or not.  It’s the first true test of what I’ve learned in university so far.  Nothing compared to the big G which will become a reality in a few years time, but still the proseminar is a milestone in any university student’s life. The first few lectures so far have been all fun and games. Listening and digesting. Looking at bibliographies, thinking maybe that one, definitely not that one.

If I had a stack of papers on my desk representing the amount of reading I am going to do for my proseminar, I’d probably lie down next to it and assume the fetal position.  So maybe not knowing, not having the perspective to reflect on how much work it’s going to be is beneficial at this stage.  I kind of know what I’m getting into but I know little enough to feel more excitement than sheer dread.  I’ll get back to my thoughts on this in the spring at the latest by which time this theoretical pile will have tumbled down on my poor head.

But I imagine that the most challenging bit will be thinking of a clear thesis and then backing it up systematically and thoroughly.  As my proseminar teacher says, the beginning will be confusing and messy as I won’t yet be set on a project I’ll take to the end.  Personally, I hate not knowing or having a plan but I trust something concrete will have begun to take shape in my head by the time we reach the exam rush before Christmas.  It better have.  My research proposal is due in December.

Leaving my second proseminar lecture, I begin to have an inkling of what I might want to do with my essay. It’s just a word on its own but in a book it’s a theme that can possibly be explored. Whether I’ll end up snatching this idea and bending it to my will or whether it will be nothing more than a red herring remains to be seen.

The article is first in a series of three, reporting on the proseminar progress of yours truly.

University Troubleshooter

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Dear reader,

Please find below your all-around troubleshooter and problem solver usable throughout your student career (and maybe even later on). Written with the English student in mind, but with slight alterations it should come in handy in all academic fields and schools of higher education.

Sincerely yours,
Esko Suoranta
BTSB

Drastic Measures

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About four years in to my studies, I entered the “Dear God, What Was I Thinking” stage of my Arts degree. The constant flood of news articles about the soaring unemployment rate of university degree holders, the flat sounding “ohs” I kept hearing at job fairs when told people I was an English student without a pedagogical bone in her body, my sister’s MBA and subsequent enormous house all had me doubting my future abilities to find employment and stay out of the gutter. Overly dramatic and desperate, I moaned to my friends, my mom and a career psychologist, before plunging headfirst in to the dark abyss I had sworn I’d never enter. That’s right, The Helsinki School of Economics.

Now, bear with me, dear fellow humanists. This didn’t mean I was selling out or conforming to what the man. I swore I’d only use any possible powers I might gain on the other side for good. The plan was to just slightly expand artsy degree into a more employable direction, gain the trust of the moneymen who run this country, learn their language and use what I had learned to promote the arts, thus making the world a better place. See, I’m still the same herbal-tea-drinking, poetry-reading, Belle-and-Sebastian-listening bleeding heart I ever was.

Now, what did I learn?

Some things were just as bad as I thought they would be. Twentysomethings rocking through the best years of their lives in suits, ties and Hermès scarves is just as awesome as it sounds. People were career-minded, competitive and really excited about all things business. As well they should be – we were in a business school after all. They had the business part down, but sometimes I found myself wondering where the school would step in.

I did a minor in Marketing. This was a module consisting of 30 credits of intermediate level courses. My sister the MBA holder had given me an approving nod on my choice, saying it was easy enough and might look good on a resume. And it was. And I hope it will. From what I gather, Marketing is considered to be somewhat of a soft option in the world of the Business School. Tough guys do Finance, the geeks go for Economics. But nevertheless, I was still a bit dumbfounded at the lack of anything, well, academic, that might suggest we were at an actual university. The PhDs lecturing at the head of the hall who evidently had studied at this school and gained degrees, but as we approached the end of Intermediate Studies, science was yet to rear its head.

The class work was mostly structured around varied case assignments that were based on ones used by the Harvard Business School. In Harvard, they’re used as a basis for open class discussions, but over at HSE, we wrote 20 page reports on them. Working on one with my group I had the most profound culture shock of my brief business school stint: naively, I asked my group what was the required number of sources for a paper of this length in these parts. In response I got incredulous looks. My group told me to stop over thinking things, turn on my bullshit generator and get writing. And so I did. Eventually I completed my minor studies at what had meanwhile become the Aalto University with a good overall grade.

But what had I learned? That somewhere, between the ‘hard’ sciences and the humanities there is a third way, which isn’t a science at all. I don’t mean to knock the School of Economics, there’s science in there somewhere, I’m sure. But for a majority of its students it isn’t the main point at all. For them the point of studying there is to get acculturated into the business world. They learn to talk the talk, make neat PowerPoint presentations and go on to be successful. And maybe that’s the moral of the story: people will hear what you have to say better when you know to present it. Spicing up my Arts degree with 30 credits worth mean PowerPoint and presentation skills with a few snazzy buzzwords thrown in might just be the perfect marriage of style and substance.

From One Professional To Another

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I’m writing this as an English Philology major, with a minor in Translation Theory* and a few years’ experience with freelance language work, and one day I wish hope mean to make my living by relying on the skills, the perseverance and the backbone that my language and translation studies have alloted me. A pretty meager and wildly optimistic place to be, I’m sure you’ll agree, but also one that I believe deserves my trust, and a measure of vindication. If you find yourself in a situation similar to mine — working your guts & your wits out for a future you love but that you’ve been given every reason to mistrust — then I’ll be glad to be writing to a sympathizing counterpart.

Some Suggested Tenets
I’ve been thinking a lot about ways of gradually overcoming this said mistrust, which is really an avatar of the reasonably healthy fear of the Yet-to-Occur. One thing I’ve come to realize is that the future does not occur at all: it is influenced by and constructed in the present. As we change as individuals over time, we can only intimate a certain degree of foresight that we attain by planning, hoping, growing and readying ourselves as best we can for new situations and challenges — sometimes successfully, sometimes not. Thankfully, working life (here as distinct from life proper..!) is more structured than the recesses of human parapsychosociology, and what “makes it tick” is a question with a bearably understated existential subtext.

It helps to consider how readily available the tools and building blocks of professional confidence actually are. The skills mentioned earlier are taught to us by teachers, professors and other veterans of the industry; we discover the perseverance in ourselves when we keep our chins up and realize how close “so close and yet so far” really is; but I feel confident that the backbone itself is something that comes from a combination of these things and from an uncompromizing sense of self-respect that we each need in order to function individually and, some might say more relevantly still, professionally. Once we realize that what we do is valuable, and that we all deserve respect for doing it as best we can, it’s really only a matter of balancing between the emotions of constructive pride and desensitizing hubris.

Profess!

We can’t all be kings or queens of the world, but we can sure as hell be professional. I like the word “profession”, and the word “professional” even more, and I’ll try to illustrate why. When someone writes a confession, they say “I confess!”, and this strikes me as just a touch melodramatic in-context. But when someone has a profession, they can say “This is what I profess, what I avow and acknowledge!” Also not exactly pathosless, I grant you, but acknowledging something is a positive, potentially productive action, especially when it concerns something that you (a) love and (b) make money by doing. And the way I figure it, if you don’t love what you do you have no business doing it in the first place; then again if what you’re doing is very certainly your thing but it earns you no income, then you’re being too romantic a martyr and will eventually starve while kicking yourself.

The trick seems to be to make what you love feel like real work, and at the same time to make hard work feel like something you love and enjoy. This attitude will feel paradoxical at times, and no matter how good you are at something or how much you enjoy it, you will occasionally hate it. If you find yourself never, ever hating what you love, something is wrong and you need to start embracing the paradox instead. Developing a backbone is instrumental to embracing this idea of embracing.

The Code
Now, as I see it, what this all really comes down to is this: if you feel like a professional and act like a professional, then for all intents and purposes, you are a professional. It isn’t a trait that we gain like some sort of prize once we have enough study points or notches on our CV or framed pieces of paper on our walls — just like the future isn’t something that simply happens to us, but something that happens because of us, and springs from decisions and attitudes. Feeling like a professional is a matter of internal significance and the labyrinth of self-worth, and is strengthened by passive, positive reinforcement (e.g. by being right and being told so). Acting like a professional (e.g. standing up for your rights and then being treated accordingly) is an external mandate, a code that can be taught and must be upheld in the face of every kind of nightmarish scenario imaginable; a sort of worker’s chivalry. If you break the code, you may do an injustice to yourself, your employer and your entire profession.

Parts of this code basically amount to common sense embodied as action, e.g. “always speak respectfully to people who want to transfer sums of money to your bank account” and the like. Other parts don’t come to us quite as naturally. Now I’ve been mentioning money a lot, and there is a very specific, very simple reason for that. (For those of you who were thinking “tl;dr” several paragraphs ago, this is the meat of the issue that I want to impart):

As translators, we provide a specialist service. We are language specialists who deal in cross-linguistic localization in innumerable different industries and situations. Our abilities are sought out because we provide what others cannot, and all kinds of different employers — companies, entrepeneurs, individuals, institutions, events — need us for what we are able to do, for what we work ourselves raw to be able to do as effectively and efficiently as possible. We do not provide this valuable service for free or for peanuts, the same way that a mechanic does not fix a car without a charge to match. The difference, in these terms, between a mechanic and a translator is that the worth of a mechanic is a given; nobody would dream of getting away with tuppence for having a licensed mechanic fix their car’s hydraulics, whereas all too often translators (and by extension proofreaders) are seen as “people who speak a bit of [your second language(s) here]“. If that is the way you see yourself, then get smart or get out of the way. If, however, you think that being envisioned as little more than a language hobbyist is a gross, disrespectful understatement, it’s time to take affront — and to act professional about it.

Also, we don’t need or deserve to be reminded that we are still students. We are made aware of that fact on a daily basis by the very nature of student life and all the challenges, limitations and duties it calls upon us to surmount. And while experience and schooling have an enormous impact on what we can accomplish and how well we understand the methods of our industry, we also don’t need to be authorized translators in order to have highly developed and specialized skills or to have a sense of self-respect about the work we do. Professionalism is, first and foremost, an attitude.

Quell the Rumour
The last time I got riled up about this issue was when a young woman approached the student readership of SUB’s mailing list in September 2010 with a job offer that made me do a mental spittake: the offer was an 80-page English-language proofreading job, in 2 days, for 80€. As I commented at the time, both the timeframe and the payment indicated in the offer were inutterably ridiculous. A great rule-of-thumb resource that I’ve been using for years is SUB ry’s own “Guidelines for students and employers on job assignments” (see Links at the end). They are, as indicated, guidelines not rules, and I have on many occasions made fee demands (which have been accepted by employers) that surpass those mentioned in the article many times over. But just to illustrate how miniscule the fee this young woman was gunning for in September really was, here’s some basic math based on quotes from the Guidelines:

[NB: For the purposes of official, ballpark timekeeping] if you just read through a text you could expect to read up to 5 pages per hour. On the other hand, if you’re required to make a lot of corrections, proof-reading might turn out to be as slow as translating.

According to this estimate of close reading, it would take sixteen hours just to read through the 80 pages! Taking that 16h as our absolute minimum time for proofreading this text, and using the Guideline’s 15-30€/h fee, a person doing this proofreading job should be paid 240-480€ to do the task (assuming that this theoretical superhuman person could manage to work on the same text diligently for 16 hours in two short days and still do a good job).

These are the figures I informed the aforementioned young woman of after she had made her offer, and her reaction was one of genuine surprise. She had intended no disrespect, she was just completely oblivious of the basic guidelines of professional proofreading; and what’s most alarming, she had heard and believed a rumour that language students are the way to go for the cheapest proofread/translation in town. The only way that rumours like this can ever be quelled is by reinforcing the opposite impression and making it a reality. Either get paid every cent your hard work and expertise entitles you to, or don’t do the job at all. Believe me, I know that turning down job offers seems like an unrealistic luxury to a student living none too seldom on the brink of poverty, but it is precisely for the sake of avoiding future misery and unemployment that we have to start exemplifying true, at times seemingly self-sacrificing professionalism now. I know that when I’ve graduated I’m not going to let uninformed and desperate students do my work for a tenth of the actual going rate! Besides, what employers tend to respect the most is a confident attitude of expertise (as well as actual quality of work), and I’ve never needed to turn down a single job offer over a fee disagreement except the outrageous one examined above.

Looking-Glass
This all needs to be put into perspective though. Every individual translation/proofreading/&c. job is a separate case, and the fairness of the estimated fee will rely on many fluctuating elements. These include length (measured in “translator’s pages” (Fin. liuska or kääntäjän sivu) = 1560 characters, hours, words, or characters with or without spaces), difficulty (terminological, syntactical, stylistic, technical, &c.), timeframe (think rush job vs. open deadline), as well as personal experience and accolades such as academic schooling and linguistic background. There are no ready-made rules, partly because gigs can vary wildly from one another in all the above traits, and others. It is up to each of us to feel out the vibe of the work and the tone of the industry, to attune ourselves to the ethics and philosophy of what it is we do and how we do it. I hope this essay, albeit probably a little rambling and still no more than a general overview, will help you toward making sense of where you figure in the rich and occasionally puzzling tug-of-war of professional translation, or other profession of your choice.

LINKS
Here are some (mostly Finnish-English-Finnish) translation-related sites that I’ve come across or that have been strongly recommended to me, and which I strongly recommend that everyone takes a good look at. We need to know the world we are entering, and thankfully the internet is full of little wormholes and windows into that world. I make especially frequent use of the various internet dictionaries, not because they’re exhaustive or perfect but because they’re free and convenient, and they help trigger my own translation processes. No tool is too lowly or too embarrassing if it helps the process (except, you know, plagiarism). And remember to turn to specialists if you are translating something in a field that is unknown to you.

Have fun, and stay classy!

Helpful & Interesting Sites
SUB ry’s Guidelines for students and employers on job assignments

SKTL’s (Suomen kääntäjien ja tulkkien liitto) surveys of the prices charged by professional translators

Av-kääntäjät, the semi-official website and forum for Finnish audio-visual translators and dubbers

Corinne McKay’s Thoughts on Translation blog

The Finnish Ulysses, a blog updated by writer, publisher and translator extraordinaire Leevi Lehto, which follows his retranslation of James Joyce’s Ulysses into Finnish, the first since Pentti Saarikoski’s 1964 translation.

Online Dictionaries
Dictionary.com and Thesaurus.com
Käännös.com (multilingual)
EUDict, European dictionary

*I only mention my specific major & minor subjects because they are what I know (and they say that’s what you ought to write, after all). Many of the observations I’m making apply to just about any occupation I can think of, and certainly any occupation that is widely misunderstood, but I am a translator not only by future profession but also by nature, in that I search for equivalents, mirror images and echos in everything, so approaching these principles from that point of view is most natural for me.

When in Doubt, Write about Dinosaurs

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Helsinki. The white, wintry city of unwelcoming service and terraces that close tooearly. I have started my plunge towards the seedy underbelly of paleonthology early thismorning. Waking up at 8:30, I downed two fish oil pills, a thousand milligrams of calcium and twenty micrograms of vitamin D. Now, after a pint of mild, dark beer and way too much vanilla-fudge flavored coffee, I feel ready to do what my fancy booted, skin tight jeaned son-of-a-gun of an Editor expects me to: write an article for Better Than Sliced Bread. This time, its all about science.

My recent research indicates that the world of paleonthology, the study of thunder lizards, – or to use a more accurate academic term: dinosaurs – is going through a proverbial uproar, started by recent developments in the study of two most beloved members of the dinosaur clan.

First of all, the Triceratops in not a distinct dinosaur species. The mere thought makes me shudder and it still is difficult for me to grasp the full extent of this fact. There’s no escaping the truth, ladies, gentlemen and those-in-between. Scientists, namely John Scannella and Jack Horner from Montana State University, have discovered that those dinosaurs that have been considered to belong to the Triceratops species are actually juvenile Torosaurus.

On what grounds, you ask? According to 4.9/5 rated news story (available at http://www.physorg.com/news198306111.html), “Scannella and Horner measured the length, width and thickness of the skulls [of the dinosaurs]. They examined the microstructure, surface textures and shape changes of the frills. Microscope studies revealed that the tissues of Torosaurus specimens are more heavily remodeled than those of even the largest Triceratops, strongly suggesting that Torosaurus specimens are in fact adult Triceratops, Scannella said. Even in Triceratops that were previously considered to be adults, the skull was still undergoing dramatic changes.” Seems awfully convincing doesn’t it?

Luckily, there is a silver lining to this cloud of utmost, unnamable blackness. As the first discovered Triceratops fossil specimen predates that of the Torosaurus, the name of the species will henceforth be Triceratops. Still, over a hundred years of scientific understanding is overruled by pesky scientists that even tried to falsify their own
findings for three years, before accepting their dramatic conclusions.

In other dinosaur news, and approaching the sinister and macabre, another breakthrough in paleonthology reveals that Tyrannosaurus were hell bent on cannibalism! Again, the culprits to bring us this Promethean discovery are no other than Dr. Horner et al. You can read all about it on http://www.plosone.org/article/info:doi/10.1371/journal.pone.0013419, but I’ll chew through the juicy bits here.

What Horner and his fellow scientists found was that four specimen of Tyrannosaurus from museum collections around the US bore bite marks that could only have been made by a large carnivorous dinosaur of the Late Maastrichtian era. Imagine them spitting out coffee and donut crumbs when they realized that Tyrannosaurus rex was the only carnivorous dinosaur large enough at that time to have made bite marks so large.

Yes, I can hear some of you (my girlfriend included) exclaiming that that’s not solid proof of cannibalism at all. What if the marks were made by carrion insects or T. Rexes during combat for supremacy for the Late Maastrichtian ‘hood?

Well, no, this does not seem to have been the case. No species of insects, lizards or mammals have been found that could have effected the toothmarks on the four Tyrannosaurus corpses. Further, teeth gnawing all the way to the bone are highly unlikely to occur during a mere turf war between two Tyrannosaurus – head wounds would be more likely in such a situation and those were not found by the avant gardists of stuffy fossils.

The evidence suggests that small Tyrannosaurus Rexes did feed on the their larger cousins, scavenging their toes, feet and arms ruthlessly. However, as Horner et al., oh so poetically, write: “It does seem improbable that Tyrannosaurus routinely hunted full-grown members of its own species; however, it is possible that intraspecific combat led to casualties, with the dead becoming a convenient source of food for the victors. “

I rest my case and remain assured of your utter dumbfoundedness.

Esko Suoranta, close to midnight, out.

To Make Out

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Idioms are often beguiling in their incomprehensibility. This is particularly palpable when learning or teaching a new language. For example, Finns say that “cold coffee beautifies,” referring to coffee that has been sitting on the table for too long and is drunk anyway. I am still not entirely sure what the phrase really means, though all the words gathered together seem simple enough.

It is not only language learners that confuse these expressions. A common English idiom is “a piece of cake”, referring to the relative ease of some action. This is very different from “a piece of pie”, or “a piece of the pie”, as it generally refers to getting a portion of something. Thus, President George W. Bush’s bemusing assessment that “we need to make the pie higher (italics mine).”

Teaching the English language, however, is rarely more difficult than when phrasal verbs are under scrutiny. Phrasal verbs, or multi-word verbs, are created by adding a preposition or an adverb to a verb, and often both. We are able to utilize a whole new set of verbs by adding a variety of particles to a word like give, creating the useful give up, give in, give in to, give out, and give way, among others.

Though get is perhaps the most useful and common of these (get up, get out, get off, get on with), make has proved to be the most interesting to teach. Look at the uses of make up in the following sentence:

I finally made up with my wife after that brawl we had over me making up a story about my professor not letting me make up the work I had missed.

Clunky, isn’t it?

Yet it underlines my larger point. Try looking at it from outside the English language. What can it mean?

The diversity of the phrasal verb and its simplicity of use make it easy to employ and difficult to use correctly. There are simply dozens of ways to add and subtract these particles to modify meaning. Thus, revenge becomes get even, and steal becomes make off with. But what is an alternative to turn on? Illuminate? Context is vital.

These verb collocations can also be called idiomatic expressions because of the way the words are combined to constitute some other meaning than those of their parts. Whereas “make or break” may seem obvious, “to mouth off” or “have it in for somebody” can cause difficulty for the language learner.

The idiom and the phrasal verb collide very neatly in make out as in this example:

Officials have banned making out at the railway station, saying it adds to traffic congestion.

Making out can lead to getting put out in some situations

Making out can lead to getting put out in some situations

To make out is to kiss and pet, usually for prolonged amounts of time. It can also fall under necking, snogging, french kissing, tongue twister, tonsil hockey, locking lips, smooching, sucking face, hooking up and tongue wrestling. Like most phrasal verbs make out also has other meanings, including decipher and progress.

So have patience with us language learners and those who teach. You will hopefully never hear or read a sentence like the one below. If you do, it might just be over your head.

Tell me how you are making out in your new role at work while you make out a check to me if you can make out my address on this notepad.

Clunky, indeed.

And now, my coffee has cooled.

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An outsider’s look at USA

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In addition to a profound and passionate interest in linguistics, I am equally driven, if not even more so, by a brain-stimulating, soul-shaking fascination towards the North American continent, the U.S. of A. in particular. The questions, research and casual, that arise from a nation so wonderfully contradictory and attached to its past are copious and complex enough to keep me from ever getting a full night’s sleep.

From a “foreigner’s” perspective, it’s always a question of legitimacy when studying a different culture and especially when passing judgment or reaching conclusions about a country whose society I have never embraced as my own. However, in order to reach an understanding about something, it always requires that the inquiry be at least partly detached from the object of study. That I am inspecting Americanism from my comfortable study in Finland isn’t thus a hindrance but provides a whole slew of differing approaches to the analysis of the phenomena. Of course, it also delimits my interpretations a great deal, because I can’t really say anything about things that really do require me to be subjected to the American society, either for my whole life or at least for more than just a summer vacation. Or, to be more precise, of course I can posit conclusions and analyses of these kinds of issues, but will they ever be relevant to the American way of life, which is, as I proclaim, what should be the crux of North American studies? No, of course not.

John McCain at his best

John McCain at his best

In fact, the “foreigner’s” perspective, and here I’m referring to the investigation of a society one has never belonged to, is rather interesting as a separate phenomenon; one that is intrinsically included in all cultural studies. For example, the 2008 presidential elections were interesting to follow as a Finn. Almost every single person I talked to supported Obama with a passion. When asked why, the responses were varied, but the general themes were along the lines of “it’s time for a democrat president”, “it’s time for change” and “republicans do no good to the country”. Also, interestingly, a number of people (myself included) occasionally referred to the new president as “our president”. What a funny thing to say as a Finnish citizen.

The thing that made the responses above curious was that follow-up questions revealed the ignorance of those who said these things. When asked what’s so special about a democrat president, the arguments were almost categorically circular: “look what the previous, republican president has done” or “Clinton was a democrat, and he was a good president”. I’m not saying that people aren’t entitled to an opinion or that only those who have knowledge of the American political system (before it’s confuddled with campaign propaganda) are entitled to one. What I’m saying is that the common understanding among the various people I chatted with on and off before the elections is the very understanding that truly negates the very foundations of American society: that a president equals the nation. For my generation, the republican who failed will always be George W. Bush. There will never be any references to the distribution of seats in Congress during his office, nor will anyone remember the judges of the Supreme Court. Why I’m bringing these two into the discussion is simple: the U.S. Constitution guarantees that no single person will ever hold too much power. This guarantee is supported by a “checks and balances” system that divides all the big decisions (such as declaring war) between the three branches of government: the Judicial, Legislative and Executive. The president holds a LOT of power, that’s for sure. But the “checks and balances” system prevents him from making any rash decisions that might be interpreted to oppose the liberal values that the country was founded on.

The Constitution of the United States of America

The Constitution of the United States of America

Bush deserves, rightly, a lot of the blame. In fact, he deserves so much blame that McCain would probably have proved a much stronger contestant had he not been shackled to Bush’s misgivings. However, to identify McCain as instantly adopting the same values as Bush, just because they belong to the same political party, is a very narrow-minded perspective. Also, McCain advocated some pretty stupid things during the elections. Sarah Palin was one of them, and it just proves how 95% of election success depends on matters that have little relevance to actual politics. It’s all about lobbying for general approval with a clean set of teeth and a spotless record. This is a shame, because thinking of the president’s actual power in the U.S. it’s actually frightening how much of a PR job the office has become. Probably not what Jefferson, Adams, Madison, Hamilton and the rest had in mind when they drafted the Declaration of Independence and the Constitution.

I think that when we are driven to make scathing comments about the U.S. leadership or the society in general, we have to remember that the nation was founded upon some of the greatest philosophies of the Enlightenment era. Inherent rights, consensus government and egalitarianism are all core ideas of the aforementioned two documents. In fact, the entire history of the United States can be reduced to the struggle of upholding these virtues while at the same time evolving into a modern society that is also deeply entrenched in foreign politics and world economy.

There’s a lot more to say on this subject, but I’ll leave that for another day. I guess the general point I’ve been trying to make all along is not to fall subject to misgivings about a society of which very little concise can be said before understanding how that society works from the inside out. I am, like I’ve said, definitely no authority on this matter, as my own interest in the U.S. is tied to the theoretical approaches provided by cultural and regional studies. But I do wish to preach open-mindedness about it all. Otherwise the conflicts we create on the outside can leak to the inside and affect the internal mechanisms of a foreign society in a way that can’t be predicted or resolved.

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Tales from the Crypt, Part III

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The third and final installment of Juha Tupasela’s guide to writing your thesis available only on BTSB. The first and second installments can be found here and here. Enjoy.

Back again! This time in less than a year. In this third and final ramble, I talk about what happened to me when I finished writing my thesis.

As it turned out, quite a lot.

By the time I handed in the complete draft to my supervisor, he had already commented on earlier drafts of each section. This would be the last check, and after it my last opportunity to make changes before handing in the final draft for evaluation. When he took my paper, my supervisor asked me what grade I had in mind. By then, I was already pretty sick of my thesis, and the deadline for the graduation ceremony was closing in, so I put any lingering dreams of revolutionizing the way English literature is studied to rest and aimed for a decent, if not spectacular, grade. After getting his comments, it only took me a week or two to put on the finishing touches, and I found myself in the almost surreal position of having a complete master’s thesis—title page, table of contents, bibliography and all—sitting on my desk in front of me. Three of them in fact, because the Humanities Faculty requires you to submit two and I wanted to have a copy bound for myself as a souvenir.

Handing over my thesis at the faculty office drove home the fact that the project that I had started and been working and struggling with for so long was actually over. It was a moment I’d been waiting for a long time. I left the office feeling good, and bought myself a nice meal and a beer. Then I remembered that I still had three 2,000-word essays to write before I could graduate.

The downer wasn’t so much that the essays would be a lot of work, they weren’t. It was more that it was just a bummer to have completed the biggest writing project I’d ever undertaken and then still not be completely done with university. It felt like reaching the top of a steep hill and realizing that before you could walk downhill-or even enjoy the view-you have to cross a really boring plateau. On the plus side, having been writing almost every day for over two months straight meant that I was able to churn out these smaller essays with relative ease, even though it was still annoying at that point.

Unfortunately, the stress didn’t end with completing the essays. I was pretty much down to the wire in completing them, and I still had to wait on getting the grades registered. I wrote e-mails to the professors in question, in which I politely explained that I really needed to get graded quick or I’d miss graduation and my head would explode. My e-mails worked, and I got my final missing grades with a whole couple of days to spare before the deadline for graduation.

I don’t recommend leaving things this late. It was nerve-wracking enough waiting for the grades to come in so I could get all my study modules registered, but few things in my life can match the utter horror that I experienced when I tried to sign up for graduation.

It started out innocently, if bureaucratically, enough. The way the sign up system works is that you get an official transcript of your studies, which shows all the courses you’ve done, how many credits they’re worth, etc. You then proceed to copy all of this information by hand onto the sign-up form. You then go to the faculty office, where the office clerk compares your sign-up sheet to your official transcript to make sure you copied it right. The point of this whole exercise is … still a mystery to me.

Anyway, I walked into the faculty office with my double- and triple-checked sign-up forms. I handed them to the office clerk and sat across from her biting my nails while she checked them. Everything was fine, I told myself. I had made sure that I had all the courses I needed, hadn’t I? Then, two noises that stopped my heart,

“Oh. Hmm.”

A pause, and then, “There seems to be a problem.”

Utter paralysis. I had to remind myself to breath.

The clerk referred to some small-print syllabus detail that no-one else I’ve spoken to has ever heard of. According to this detail, I had too many credits in my free studies category, so I couldn’t register them all. This meant that I didn’t have enough total credits to graduate. Having remembered to breath, I now had to keep myself from hyperventilating.

Luckily, a solution was found. In keeping with the approach embodied by the sign-up form merry-go-round, I ended up having to go to the English Department office, get them to rearrange how some of my English credits were registered and then run back to the faculty office before it closed to finish signing up for graduation. Getting my nerves back under control after all this took several strong drinks.

Then came a relatively anticlimactic wait for the graduation ceremony. The ceremony itself was an austere affair. The names of everyone who had graduated were read, and as the names were read, people went up to get their diplomas. After everyone got their diplomas, the dean gave a little speech and then, in a somewhat surreal move, sang a song. After that, a free drink from the faculty and that was that. University was over.

I have to admit that all the expectations I had invested into graduation left me feeling a little empty. I was fortunate to have a soft landing after graduation. I already had a job, and after graduating, my part-time contract got upgraded to a full-time contract. After that it’s been a steady nine-to-five with five weeks paid vacation a year. Am I happier now that I’m done with my thesis? In many ways, yes. Are there things I miss about university? Definitely. But if nothing else, I’m much happier being on this side of my thesis. The sun feels so much warmer when you’ve spent some time crawling through the crypt.

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Tales from the Crypt, Part II

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BTSB proudly publishes the second installment in Juha Tupasela’s three-part series about writing your graduate thesis. It includes tips, tricks, and general observations made by a man who has gone into this certain type of hell and come back alive. You can read the first article here. Stayed tuned for the third and final installment coming soon (Honestly, I have it sitting in front of me).

Last October, I promised a Part II and even a Part III to my Tales from the Crypt post. Seeing as that was a year ago, it’s high time for me to deliver. Just to shoot down any suspicions that I’ve spent the time since last October collecting belly button lint, let me say that since the previous installment, I’ve completed my thesis, completed my master’s degree (which turned out not to be exactly the same thing), and started full-time employment (which at least partially explains the delay in part II being posted). If you’re working on your thesis right now or recently completed it, feel free to use the comments field to post your observations or vent your frustrations.

In the previous installment, I touched on the psychological phenomenon of thesis angst. Once the preparatory phase gave way to the actual writing process, a host of other psychological ticks and twitches bubbled to the surface. In hindsight, these can be loosely classified into a few psychological disorders.

1) Chronic life-skill deficiency
Because I was eager to finish my thesis, I took two months off work to finish writing it. I already had about half of a first draft in the form of my seminar paper, and was pretty confident that two months would be more than enough time to finish it off. Based on previous experience, I calculated that I would produce the first draft at a pace of 1,000–1,500 words per full day of writing, leaving plenty of time for my supervisor to give feedback and for me to make changes and finish off other school work that I had left hanging. This, as it turns out, was wishful thinking.

An output of 1,000–1,500 words a day is something I had previously been capable of, and I was so confident that I’d be able to maintain this pace (despite the warnings of friends) that I stuck a timetable on my wall showing where in the writing process I intended to be by when: draft of second chapter ready by the beginning of October, revised first chapter ready by mid-October, that sort of thing. This, of course, was just asking for trouble.
As further self-motivation I also tried to think about most of the other stuff in life (like going to a movie or a pub or the gym) as a reward for meeting my writing goals. What this meant was that, as I failed to meet my writing goals day after day, I increasingly spent my days beating my head on my desk trying to meet my goal of 1,000–1,500 words. The smartest thing I could have done when frustrated with my thesis would have been to turn off the computer and go lift weights or hit a punching bag or get drunk. Instead I just ran around and around in my own little vicious circle: because I hadn’t met my writing goals, I felt I couldn’t do anything else until I got back on track. This led to a condition where I had trouble enjoying myself at all. My thesis work was frustrating, and either I didn’t do fun things because I felt I hadn’t earned the right to, or I did do fun things and felt guilty doing them (which obviously made them less fun). My advice to those of you getting ready to write your thesis is to set a relatively unambitious daily writing goal, and when you get stuck, give yourself permission to do something else for a while. You and the people around you will be much happier, and assuming you do keep writing at some pace, you’ll end up finishing your thesis anyway.

2) Pathological fecal identification syndrome
Closely related to chronic life-skill deficiency, this syndrome manifests itself as the unshakable belief that all the time and effort you have put into your thesis has produced nothing better than a large, slightly runny pile of poop, steaming defiantly on your desk. I was often left with the feeling that the result would have been better had I just beat my head on my keyboard instead of on my desk. Needless to say, writing what seems to be complete crap in addition to not writing as much of it as you had intended can only make a grim mental outlook even worse. The only treatment I know for this disorder is to chant “I can fix it in the second draft” to oneself over and over and over, until the steady drone drowns out all doubts and anxieties.

3) Obsessive textual separation anxiety
This is a fear of losing the text one has written to computer failure, natural disasters, or acts of God. The fear leads to excessive saving, that is, after every few words, and to the making of more backup copies than one could ever reasonably need. Case in point: when I was done banging my head on my desk and/or keyboard for the day, I would first save my work on a backup USB stick, then I would send it to a total of three separate e-mail accounts, my university account, my internet service provider account, and my work account. My logic behind this was that if all of these backup copies were destroyed, Western society would be collapsing all around me, and completing my thesis would probably be the least of my troubles.

The Eureka Moment
No, this is not the title to a bad sci-fi novel. It’s proof that the subconscious exists and can even help you out from time to time. After the frustration of churning out my thesis text and the struggling to try and make it not suck, I reached a point where I had enough text, but wasn’t sure how it all fit together. My eureka moment happened when, in desperation, I started writing an email to my supervisor explaining where I was having trouble. As I was writing the email, the pieces of the thesis started to fall into place: of course that chapter is really about X and the next chapter logically focuses of Y, and that annoying theme I couldn’t seem to fit anywhere actually connects the two. Wow. What had started out as a cry for help ended up as the solution for banging my thesis paper into something recognizable as a thesis and completing my first full draft. For the first time in a long time, I could see myself actually finishing the thing. It was a beautiful moment. Though there was still plenty of writing and editing to do, after this moment I had a clear picture in my head of what I was working towards. Instead of being lost in the crypt, I could see daylight and was making my way towards it with a vengeance.

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HAPPY NEW SCHOOL YEAR 2008-2009!

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Welcome back!

First, an apology is in order. I’m sure our fanbase of 5-6 dedicated readers (Joe and I included) has been wondering over the course of the summer why we haven’t published any new articles for ages. Well, believe it or not, BTSB has been enjoying a well-deserved summer vacation. Now, I know we didn’t announce that we’re taking a hiatus, but I’m sure even the most dull-witted of you got the jist after staring at the unchanged front page of this site for days and days on end.

Apology accepted? Thanks.

Freshmen of the Department of English at the University of Helsinki: Welcome to the wonderful world of the Department of English at the University of Helsinki (cumbersome repetition due to my lack of skills as a writer). It’s great to have you here! I’ve already met some of you, and I’m happy to see what a lively bunch you guys are. As a 6th year student and a long-time member (of some good standing) of the department’s student organisation, I consider it my duty and obligation to guide, nay, to steer, nay, to coerce you to appreciate some facts about your future as an English major.

1) Remember to study
This is of paramount importance. Anyone with even the tiniest amount of ambition and goal-orientation (notice how intelligence has nothing to do with anything) should be able to graduate in the timeframe set by the University bureaucrats. No matter how much you get involved in the extra-curricular activities organised by the gazillion different groups within the University sphere, you have to remember to study. After the initial excitement is over, you’ll notice that some of the lectures are just dull and don’t live up to your expectations. It’s like when you have a crush on someone. First it’s all giggles and touching places but after the balance between routine and surprise begins to slant towards the former, you notice that your crush is hideous and puke-inspiring and you have to make a decision: should I stick with this one or look for something new. I suggest you stick, because, well, let’s face it, we’re not getting any younger and maybe it’s time to settle down.

2) Remember to socialise
This is important too. I’ve heard that there are people who feel uncomfortable in social situations and who have a hard time trying to make new friends. Error. Scoff. Objection. Now’s the time for you to turn your life around and become what you’ve always wanted to be. It’s time to pimp up your life! You could start by taking part in SUB‘s meetings and parties. No matter how ugly, stupid, mucous or bulbous you are, you will make friends there.

3) Remember to eat
Just avoid the UniCafe at Metsätalo when they’re serving fish lasagnette and have run out of the other courses. Shudder.

4) Remember to sleep
When you’re looking at your schedule for the school year, pick one or two lectures per week that you’ll use for some quality napping. Just remember to rotate the lectures of choice so that you don’t get into too much trouble.

Just remembering these four points got me far. Granted, I forgot point number one because I was so involved with point number two for so many years. Point number three, with respect to the fact that I did eat the fish lasagnette, almost got me killed and point number four smeared my forehead with Henry David Thoreau’s musings as I chose the American literature anthology as my pillow during one very inspiring lecture. But now that I look back on my time as a student of English, I’m quite jealous of the new freshmen, since they’re about to embark on a beautiful adventure full of excitement and wonder.

Screw that, I just want to graduate.

With these words I once again welcome all students and friends back to the wonderful world of BTSB.

“May you not fall from the Grace of God,
for it is a long fall,
and you will hurt yourself,
unless you are a yo-yo,
or a pillow.”

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The Helsinki Corpus Of British English Dialects

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The Helsinki Corpus of British English Dialects (HD) is a corpus project initiated in the early 1970s by Professor Tauno F. Mustanoja from the English Department, Helsinki, and Professor Harold Orton from the University of Leeds. The corpus contains over a million words of transcribed dialect speech. Covered are the rural regions of Cambridgeshire, Devon, Isle of Ely, Somerset and Suffolk, all recorded in the 1970s and early 1980s, as well as the urban regions of Essex and Lancashire, recorded in the late 1980s. The recordings were made by Finnish postgraduates.

What makes the corpus special is that it contains free, continuous speech, in contrast to the questionnaire method used earlier in projects such as the Survey of English Dialects. The questionnaire format gave the interviewees (aka informants) a list of questions to which they’d answer with a dialectal form. This method of interviewing provides material useful only for lexical and phonological analysis, which was not in the interest of the HD group. The Helsinki Dialect project was mainly concerned in morphosyntax, i.e. the study of sentence structure and morphology, to which one-word responses in a questionnaire would not provide sufficient material for research.

The fieldworkers, all Finnish postgraduates, lived in the region usually for a summer or two and went from village to village interviewing older people. The interviews were free in form, giving the informants a chance to choose their own topics of discussion. In the early 1980s, under the leadership of Professor Ossi Ihalainen, himself one of the fieldworkers in the HD project, the group began to transcribe and transfer the recorded material into computer format. The use of computers is nowadays an obvious choice, but one must remember that in the early 1980s computers were usually as large as the rooms they were in, and the work involved was more than merely typing with the keyboard.

The dialect corpus is unique in many ways, primarily because it contains free, continuous speech, but also because it covers regions very poorly documented in any earlier studies. The Cambridgeshire dialect was, for example, in the Survey of English Dialects represented with just one locality, whereas in the HD the localities number almost thirty.

Numerous studies have been conducted on the basis of the HD data, most of them, as stated before, morphosyntactic in nature, but some phonological studies were made too. In the present day the material is more valuable than ever. Dialectology is taking new steps with the advent of better software and technology for speech analysis and transcribing. New theoretical approaches have surfaced too, as dialectological research can no longer be based on theories from the 1960s and 1970s that were dominated by the linguistic theories of the time.

The most rewarding approach is studying the grammar of spoken English and how it is in conflict with the grammar of Standard English used in almost all textbooks and linguistic studies not involved with spoken language. It is obvious that the restrictions of written grammar cannot be used as a theoretical basis for studying the free form of spoken language. Even more so with dialects, which are generally considered “non-standard”, a pejorative term that doesn’t even begin to describe the diversity and variety of the vernacular. It is with great anticipation that dialectologists and those interested in regional variation wait for new articles and theories to be published on the dichotomy between standard and non-standard forms of language. One particularly interesting approach developed in the recent years is the Optimality Theory. Its claim is that the grammatical forms of Standard English underlie all the spoken forms too. Whenever these rules are violated in the output of spoken language, they aren’t immediately labelled “non-grammatical” or “non-standard”, but the focus of the theory is to what extent and how these rules are violated. This, in my opinion, is a far more sound approach to describing spoken language than the prescriptivism that has dominated syntactic and grammatical research over the past decades. A study using Optimality Theory to describe morphosyntactic variation in dialects is yet to be done, as far as I know, and I’m sure it will be a welcome change of pace into dialect research.

As students of the English Department in the University of Helsinki, we can hold our heads up with certain pride whenever the Helsinki Corpus is discussed, since it is the flagship of the department, and now under the coordination of the VARIENG research unit.

For anyone interested in studying regional variation and dialectology, I would strongly suggest to visit VARIENG’s website and learn about their various corpora, whose uniqueness is recognised all over the world.

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Academic writing and originality

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Let me take you on a philosophical journey. And before you nod off, let me emphasise that there is a point to all this. You see, there’s one thing about my academic studies that has always bothered me a lot. But before I actually tell you what it is, I’ll bore you off with some musings.

I’m sitting here, watching my computer screen. I’m looking at the digital version of a blank canvas, which is slowly filling with words as I input them with my keyboard. They’re my words, my thoughts. I can pin them to myself with the same certainty that I can take credit for my jokes, my idiosyncracies and even the way I walk. But therein lies the problem that broods at the very heart of the philosophy that I’m about to reveal to you. Which, and I emphasise again, isn’t just a red herring but will connect to the main point in this text a bit later.

You see, these words aren’t mine! These thoughts, no matter how much I want believe in the individual mind and subjective principles, aren’t mine! In fact, nothing is mine. Nothing is yours either. Everything we call our own is just an abstraction, a delicate patchwork combined with colours and materials that we’ve adapted from outside influence. Every single word I’ve written here has been used before. Perhaps not in the combinations I’m using them in, but if we go beyond sentence semantics and word placement, we’ll find the syntactic structures that have most certainly used before. I could write gibberish in an unidentifiable syntax, using words that no one has ever used before, but that would be just to prove my point in a childish manner and would in the end only serve as a parody.

Go way back to childhood. Think about the joys and thrills of learning new stuff. Some of them might have been thanks to those fabled “Eureka!”-moments, but even then they were imitations of something you’d seen or something you’d think to be true, based on your perceptions and your fledgling ability to equate 1+1 and 2. Every single thing you’ve learned since your birth can be attributable to something else but yourself. Actually, anything else but yourself. The only thing you bring into the soup of your conscious is the way in which you organise and conceptualise the world around yourself.

Wow, I almost came to my final point there. I have to backtrack a little; I see that some of you are still awake.

Baruch de Spinoza

Throughout the ages, philosophers have been trying to find out the source, meaning and composition of the true Originality. Plato divided the world into ideas (originality) and materials (manifestations). Saint Thomas Aquinas gave us God as the prime cause, and his ideas were furthered by the likes of Descartes and Leibniz. Spinoza took it a step further, and with his crazy, hermit-like determinism he claimed God was EVERYTHING. Well, I’m not going to give you my insight into theology or anything else, but I do have to sympathise with Plato’s idea, at least up to a point.

You see, even though these words that I’m typing aren’t mine, and possibly even my thoughts aren’t mine, the whole amalgam of ideas, thoughts, idiosyncracies and creative output becomes so huge and so infinitesimally inapproachable by anything but a very subjectivist mind that I can credit it to being mine. Yes, I used the word infinitesimal, which, albeit being very geeky, should prove my viewpoint on the fact that taking credit for the aforementioned amalgam is just a compromise. It’s still not mine, but close enough.

So let’s bring us back to the very first thing I was supposed to write about: my academic studies. I’ve been taught with a whipping fury that whenever writing an academic text, you can’t take credit for anything that can’t be backed by a frame of reference, most preferably a bibliographic entry. Using adjectives and subjective pronouns (such as ‘I’ and ‘You’) is frowned upon. You can’t just write “I thought ‘Walden’ was a bore” without giving a reason or at least pointing to some other person who’s said the same thing. Who cares about the reason? Everyone knows that ‘Walden’ was a bore; I’m just stating the obvious. And yes, you can quote me on that. Ok, well I understand the ban on adjectives, since they have no place in the rigid neo-Nazism that is the world of academic writing.

But my true concern is the fact that originality and the student’s own voice are drowned under gallons and gallons of referential piss. Lecturers applaud us when we come up with a topic and a thesis statement for our text, but even those can hardly ever be credited to us solely. Some of us read the “Further research”-sections from other publications, some of us just take a common subject and look for ways to expand it through other points of view. But they’ve been discovered before. Yes they have, and you know it.

I actually find it disconcerting that so much of courses’ efforts are focused on methodology and writing itself and so little is talked about the need to tap into that originality that everyone has on some level. Somehow, university studies resemble high school studies. We work, toil and bleed with only the matriculation exam in mind. The tidbits of information that we retain after the exam is over can hardly be attributed to anything else but each student’s genuine interest in some areas of study. Same thing is happening with theses at the university. We’re given the weapons and the ammunition, and throughout our studies we learn tactics and manoeuvres to find ways to kill that Big Thesis Bastard.

Academic writing, on the other hand, does teach us very valuable ways of combining information we find to create something wholly new (or so we think). I appreciate that, a lot. It’s in the vein of cross-disciplinary thought that I find fascinating. I do appreciate bibliographies and the efficient use of co- and contexts. But I’m just bloody well frustrated at the fact that there’s no Simo left in my texts. It’s just the intricate patchwork of quotations and bibliographic references that remains. I just wish that our studies would give us ways to tap into our creativity and emphasise the need to be original in addition to the contemporary way of suffering from penis envy when your hard-working friend found more sources than you did.

So, my point is… well, my train of thought is still at the previous station, so I’ll just throw in a couple of keywords that you can use to formulate your own idea of what my point is (and THAT my friends, is what I mean by originality): Walden, bore, subjectivist, Spinoza, herring, context, nude.

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The Unknown Language

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“[Linguistic diversity] constitutes one of the great treasures of humanity, an enormous storehouse of expressive power and profound understanding of the universe. The loss of hundreds of languages that have already passed into history is an intellectual catastrophe in every way comparable in magnitude to the ecological catastrophe we face today as the earth’s tropical forests are swept by fire. Each language still spoken is fundamental to the personal, social and — a key term in the discourse of indigenous peoples — spiritual identity of its speakers.”
-Ofelia Zepeda and Jane Hill.

The inscription on the Tomb of the Unknown Language
“I was a language, humanity’s greatest creation.
I was the skeleton around which the flesh of society and the soul of culture were firmly bound.
I was a god and a demon; a letter of love and a message of hate; a harbinger of doom and a herald of peace; a redeemer and an executioner.
I was the hope of the oppressed and the tool of tyranny.
I was the last remnant of independence, of history, of individuality and of hope. With my death entire cultures vanished and entire histories remained unwritten.
I defined nature, I wrote history, I created religion, I promoted equality and I gave birth to science.
I was gradually replaced by “better” languages, those that made lying easier and cursing more pleasing.
I was smoked out of my culture because I was too archaic, too unfashionable and too familiar.
I bid you to remember my kin and to let my fate fall to no other.
I bid you to respect all languages, especially your own, and treat them with the respect you’d treat your culture and your nation’s heritage with.”

Facts on language extinction
- Languages are dying faster now than ever before in recorded history.
- Of the approximately 5,000 languages spoken in the world today (an estimation) at least 500 face extinction very soon (they have less than 100 speakers) and half are endangered (fewer than 1,000 speakers or in rapid decline).
- Research predicts that even in a good scenario half of the world’s languages will become extinct within the next 50 to 100 years.
- Keeping languages alive is the responsibility of parents; documenting them is the responsibility of linguists.
- An overwhelming amount of the world’s languages have been very poorly documented, meaning that in extinction an entire linguistic culture and history will disappear.

Linguistic "hotspots" with languages facing rapid extinction include Northern Australia, Central South America, Northwest Pacific Plateau, Eastern Siberia and Oklahoma-Southwest (National Geographic)

Status of the Uralic language family
The Uralic language family consists of more than 30 languages with approximately 25 million speakers.
The three largest languages in the family are Finnish, Hungarian and Estonian. They have approximately 23 million speakers combined.
Languages such as Liv (Livonian), Vod (Votian) and Enets have only a handful of native speakers left, and speakers of a majority of the remaining languages can be counted in tens of thousands. Even the languages with speakers numbering 500,000 (Mordvin, Komi, Udmurt) are endangered, because the native speakers are elderly and the young tend to give up their language in favour of Russian.
In the recent years linguistic awareness in Russia has led to positive action on behalf of language preservation, but for some languages help might have arrived too late.
If these languages become extinct, a valuable amount of information from Finland’s neighbouring nations and tribes will be lost, along with knowledge of our mutual past and the origins of our people.

For more information
Endangered languages home (SIL project)
Foundation For Endangered Languages
Endangered Languages (UNESCO)

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Student Board Members Are Demons Not In Disguise

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Recent research sheds a poor light on the popular extra-curricular activity of being a board member in a student union or organisation. When only ten years ago such student activity was greeted by staff and students alike with praise and gratitude, student boards are now condemned as being obtrusive breeding grounds for know-it-all attitudes and full of socially incompetent suck-ups, whose only way of finding a friend is by mail-order or kidnapping.

“The change happened overnight,” claims Ned Huggins in his doctoral dissertation The Student Union Killed My Academic Career – A Case Study Of Social Incest, “The days of greeting student actives as motivational mentors and inspirational tutors were over. Social independence and solitary drinking have replaced conformity and Tuesday night pub crawls.” But what initiated this change in attitude? Huggins extrapolates from gathered data that the change originated from changed perceptions within the student body. “Students grew tired of watching the little social groups formed of board members gathering in the cafeterias and library corners, giggling like a bunch of pot heads and quoting out-of-date movies such as Monty Python’s Quest for the Holy Grail and Kieslowski’s Three Colors -trilogy,” Huggins writes.

Anguished students give similar testimonies about board member behaviour in classrooms. “Yeah, they’d always sit front and centre, and whenever they raise their hand to comment on something, everyone knows it’s just to say some funny anecdote about last weekend’s after-party or something. God, I wish they’d just bleed to death the whole lot of them,” says a distraught female student who wishes to remain anonymous.

The general consensus is that the boards of student organisations have become “exclusive cattle sheds of unethical values and social incest – a breeding ground for unwholesome attitudes of self-indulgence and mindless conformation,” says Huggins. Far too many students claim that their interest in being a board member almost killed their academic careers. Partying and hanging with the same in crowd day after day cut short the studies of too many promising students.

When asked about these claims, not one board member wished to give a statement. One board meeting was even infiltrated by a reporter, but he had to leave before any valuable data was gathered because of the smell. No longer a smell of success, attributed to board members during the glory days, it was more like a cabbagesque-gymbaggy-deadfishy kind of smell. Judging by the lack of cooperation, it’s highly probable that the board members admit to these claims and feel the need to seclude themselves even further from the healthy student environment that waits outside the door.

To battle student organisations in the hope of eventually disbanding them, a flyer campaign has been set up by various University faculties. In cooperation with authorities and concerned mothers, the last remnants of student boards should be rooted out in a year’s time.

As a thought-provoking testimony, the words of young Timo Karsa echo forever in the minds of students. Karsa gave his State of the Student Union speech late September, and his words will never be forgotten:

“For in this, the darkest hour of our day, a light can be seen. I say to you, my fellow students, do not throw away your chains! Do not cast down your buckets where you are! For far too long have we been exploited by student boards and their mindless dogma. I once was a stupid, disease-ridden, socially incompetent board member, but now I am a thriving student with a full life of bodily pleasures awaiting me. Raise your voices! Shout so that the walls may shake and the ground may break! Shout so that every last one of the board members is drawn from their putrid holes under the ground to be hung, drawn and quartered! Sound your barbaric racket over the rooftops of this campus! Shout NO to game nights and fancy dress parties, for they are evil! NO!”

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Tales from the Crypt, Part I

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Yes, it has finally come to this. After a month and a half of solid typing and retyping, my pallid complexion and hunched shoulders leave little room for speculation, I’m locked in the crypt with my master’s thesis, and the only way out is through.

Despite the title, the last thing anyone needs is a horror story. The thesis is a big enough bogey man for most students already. The point of these posts is to share some of my experiences of writing my thesis, and (hopefully) coming out the other end, sanity intact, diploma in hand. Maybe these posts will give people whose thesis is ahead of them some idea of what they’re in for and help them avoid some of my mistakes. Maybe people in the midst of the process themselves will be able to draw some consolation from the fact that they’re not alone. Maybe this just seems like a more productive form of procrastination than spending my time on Facebook. You be the judge.

It all started about two years ago. Back then, my master’s thesis seemed distant and almost mythical, something mentioned in hushed tones if at all, something not entirely of this world. Now that I’m approaching the end of the process, my picture of it is somewhat more down-to-earth. I now know that the actual work involved is a relatively minor challenge compared to the psychological dimension of the project. All of the time I spent trying to convince myself that the thesis isn’t really all that (one of my favorite mantras having been “it’s really only two proseminar papers stuck together”) only served to convince my subconscious that the thesis really must be all that after all.

The author, hard at work on his thesis

As I see it now, the whole thing boils down to three major psychological hurdles: (1) coming to terms with the fact that, no, pretending the thesis doesn’t exist won’t make it go away, and I might as well pick a topic; (2) accepting the grim truth that I’m going to have to do a lot of reading, so much, in fact, that I’m going to have to take proper notes to keep track of everything; and (3) sitting down in front of that horrid blinking cursor to actually write the damn thing. This installment of Tales from the Crypt (or TFTC, since this publication is into acronyms) focuses on the first two.

The first hurdle was the easiest. When I realized I would be taking a seminar the next year, I started to formulate a plan of attack. I had no intention of trying to revolutionize anything with my thesis, but I didn’t want to do something completely off-the-shelf either. Maybe foolishly, I felt that my thesis should on some level reflect who I am. After all, it would supposedly be the crowning achievement of the six-plus years of intellectual growth and/or alcoholism of my university experience.

The criteria for my topic were that I wanted to combine my studies in postcolonial literature with my hobby of reading science fiction. I didn’t, however, want to write on any of my favorite books, because I was afraid that the dissection I would have to subject them to for my thesis would end up killing the pleasure of just reading them. With some much appreciated help from my advisor-to-be, I settled on an author I hadn’t heard of, whose work lent itself well to my project, thus both expanding my horizons and sparing myself from reducing my favorite books into a figurative pile of dismembered limbs and goo.

There are many books available on the process of writing a thesis. Many of them are filled with metaphors and pictures meant to please the eye and break the thesis-writing process down into edible chunks for hapless students (one of the most memorable of these describes reasoning as the shish kebab that pierces through all the chunks of meat that make up the thesis). The one that best describes my experience, though, is the amoeba. When I got started, I had a lot of trouble getting my thoughts straight. My ideas were all over the place, and I had no idea how they fit together. My project was like a huge amoeba: interesting to look at from a distance, but ultimately just a shapeless blob.

The background reading I was doing didn’t really help the situation, as everything I was reading just seemed to open up new possibilities—adding pseudopodia to my amoeba, as it were, rather than cutting it down to size. Of course, another problem was that I didn’t always dig into the background material I gathered from the libraries, Nelli, or Amazon (.co.uk, to save on shipping) when I got my hands on it. Too often, when I came across a useful article, book, or other source, I placed it on my shelf, happy to see my pile of reference material growing. Of course, the really useful stuff was the material I got around to reading last.

Once I started really doing the reading, I realized the importance of something that I’ve never actually been taught to do properly: note taking. Maybe I’m just the only idiot in town who doesn’t instinctively know how to take good notes, but when I was getting started I was pretty hopeless at it, and ended up redoing a bunch of my early notes, listening to my inner voice call me nasty names for not doing things right the first time.

By far the worst part of the early stages of the project (and the late stages, for that matter) was that my thesis was always on my mind on some level. No matter what I was doing—work, other courses, whatever—the thesis was always there, haunting me in its incompletion. I always felt I should have been using more time for my thesis. Nothing seemed to get done as quickly as I wanted it to get done, and what I had left to do always seemed so much bigger than what I had actually done. Naturally, the more I worried about it, the more I procrastinated, leading to a neat little vicious circle.

I don’t want to leave you with the idea that doing research was all bad, though. Background reading, while sometimes leading to frustration and pulled-out hair, has taught me a great deal of interesting stuff that I would have never thought to read up on otherwise. I’ve read about the history of utopian writing in science fiction, the history of slavery in the Caribbean, the characteristics of Haitian Vodou, and the sexual dimensions of the zombie myth. Not everything I’ve read is going in the final product, but it’s definitely opened up a new part of the world to me.

In Part II, I’ll talk about the writing process itself. Until then, why don’t you share some of your experiences, fears, or observations of picking a thesis topic and doing research in the comments section? If group therapy works for severe psychological disorders, it might just work for thesis-angst as well.

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News Headlines From The Faculty Of Arts

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Student Severely Beat Up After Being Found Using A Calculator
“The police are investigating the case of S. Tuary, a German philology student who was roughed up bad on Thursday afternoon. Eyewitnesses to the assault claim that Tuary was seen using a calculator only minutes before the mugging. These so-called ‘calculus crimes’ have become an alarming trend in campus violence lately, and even though the habit of using science equipment and solving math problems is frowned upon at the Faculty, any suspects of such behaviour should be interrogated and reprimanded through official Faculty channels instead of an unofficial inquisition of hard science haters.”

Question Asked During History Of American Literature Lecture
“Professor Ben ‘Boring-Auring’ Auring was caught off guard after a student asked him a question during his infamous monologue in the history of American literature class. The very fact that someone was still awake after passing the lecture’s halfway mark was baffling enough, but when that someone decided to ask for clarification on a subject regarding Thoreau’s Walden, the Professor was struck silent with bewilderment. ‘Never in my day has anyone ever interrupted me during a lecture’, commented Prof. Auring after the disgruntling event. The student in question has been given an official warning and an extra dose of sleep medicine. The Faculty is concerned about the possible implications of this matter: ‘Next they’re going to come up to me and say that they want to learn something. I’m a professor of literature, not a miracle worker’, Auring fumed.”

Prospect Of Getting A Job Scares Soon-To-Be Graduates
“MA and BA degrees are more and more potent currency in landing a job with good pay and career prospects, claims the employment office. However, not everyone is happy about this, least of all the students who are getting nearer to finishing their degree. ‘I didn’t come to the Faculty of Arts so that I could get a job, quite the opposite!’ said a flustered French student, who’s graduating with an MA in May 2008. Her opinion was shared by a number of her fellow students. ‘Employment is not a traditional value of a humanities student. Our students graduate to become freeloaders and hermits; the bile our society uses to fertilise its very foundation’, commented the Dean. The Faculty is taking every precaution necessary to ensure the graduates’ transition into unemployment. A crisis hotline has also been established.”

England And France Still At War In The Faculty
“Even though the American and French Revolutionary Wars are two hundred years in the past, the fighting continues in the Faculty of Arts. The feud began when the new interdepartmental corridor was founded last month. The fight is ultimately over who claims control over the new space. However, a research faculty formed by members of both departments has also joined in the fight, claiming that they wish to separate from the larger departments and create a new coalition altogether. A new problem arose today, when the original occupants of the corridor (the Department of Native American Studies) started taking sides. The fighting is brutal and several text book -related injuries have been treated at the nearby health station.”

Dispute Over Big Donation To The Faculty Of Arts
“The late professor Harry Hancock’s trust fund has donated over 50,000 euros to the Faculty of Arts. Being used to poverty and scrounging around for cash, the faculty staff now faces a conundrum: should they use the money to buy new books, rent new space and maybe let the students use blank sheets of paper for a change, or should they just blow it all away in a crazy drinking binge. The students are unanimously in favour of the second motion. ‘We’re fine with second-hand writing paper and outdated study material. I hope the staff has a great time and won’t return for a while’, said the spokesperson of the student union. The debate among the staff is currently on whether to spend the money on hard spirits, hallucinogenic drugs, a trip to Disneyland or a combination of the three.”

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Welcome To The Faculty Of Arts

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Tired of looking for higher education that’s been tailored to your specific needs and ensures you a rich and plentiful academic career with excellent job opportunities?

This image has absolutely nothing to do with the Faculty of Arts

Tired of having an encouraging student body coupled with a professional faculty staff help you along your path to your chosen degree?

Tired of waking up every morning with a smile on your face and being actually happy about going to school?

SO ARE WE!

At the Faculty of Arts you’ll find everything you’ve been looking for handed to you on a stained, wouldn’t-pass-as-silver-even-to-a-blind-man platter. Yes, definitely a platter of some kind.

We are the only department of the university that promises to meet your needs halfway and then fails to show up.

We encourage teamwork in all its forms as long as the result is finding the nearest exit.

The students and the staff share a special bond: they are often seen together at the employment office.

We offer you such courses as Theoretical Philosophy, English Philology, Intercultural Communication and many others with fancy names and absolutely no content to boot.

Our early lectures are an excellent way for men, too, to experience morning sickness.

We will teach you how to be bohemian and lofty — in other words just gay enough to leave people guessing.

Especially male students will enjoy our outdated study material over delicious meals cooked and served by the female students.

The Faculty building

You’ll find our beautiful faculty building by taking a left from the main campus road, another left past the homeless shelter, through the narrow aisle between the amateur theatre and the morgue, through the trapdoor in the cellar of the brothel into the sewers, taking the first right, climbing up the ladder into the abandoned warehouse, sneaking past the mafia thugs carrying bags of smack, running through the yard before the rabid guard dogs catch you and by regaining consciousness after the one-armed man with no teeth and a face so hideous it looks like the scrap book of a blind sculptor beats the crap out of you for barging into his house while he’s in the process of dancing naked and singing along to Frank Sinatra’s Love’s Been Good To Me.

To apply:

Come talk to the faculty staff at any time the employment office is open. Remember, we accept only almost everybody (multitaskers and overachievers don’t bother).

Si Hoc Legere Scis, Nimis Eruditionis Habes

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